a moon like shape, glowing, on a black backgound

ELAINE WONG

a moon like shape, glowing, on a black backgound

ELAINE WONG

Reflecting a shift (Barreiro – Terreiro do Paço)

Film

VENUE

8. Cemetery Chapel, East Coker
Fri 26 – Sun 28 May, 10am – 5:30pm

Projecting movement into space, Elaine Wong’s subtle interventions exist in corners and cracks, suggesting slippage into another time or place. The fluctuations of light are in fact small windows onto the motion of bodies of water. They are part of an ongoing attempt by the artist to unravel her own explorations of daily life and encounters with the world around her.


ABOUT THE ARTIST

Elaine Wong works with videography, sound and installations. She is interested in the experiential quality of work. Her practice explores and unveils experiences of everyday encounters and inner conditions.


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one pot on it's side and another upright with a tall thin neck

WILL CRUICKSHANK

one pot on it's side and another upright with a tall thin neck

WILL CRUICKSHANK

Plaster and thread works

Sculpture

VENUE

8. Cemetery Chapel, East Coker
Fri 26 – Sun 28 May, 10am – 5:30pm

The process of making is fundamentally important to Will Cruickshank’s sculptural works. He devises his own complex, makeshift machines, by repurposing parts from old cement mixers, bicycles, chainsaws and potters’ wheels. Most often these machines spool, wind, bind and overlay layers of yarn. But in the case of pieces on show here, the process is somewhat reversed, with the full force of pressurised water employed to shape spinning plaster objects revealing layers of thread embedded within. The resulting collection of works are mostly vessels, with a votive or ceremonial air – suggestive of both the water and the industrial technologies that formed them.

Video documentation of Will’s processes is on show at Dawe’s Twineworks.

 


ABOUT THE ARTIST

Will Cruickshank has a multidisciplinary practice which often places an importance on colour, pattern and symmetry, whilst appearing to be connected to something unknown and sacred. His work is grounded in learning by doing, and thinking through making.


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